April 24, 2013

Building the Book Teaser - Part One


Collegiate Films offers low prices and professional content, but we understand that some authors just can’t afford to hire someone to create video content for their book. These authors may decide to try the DIY route, but may not know where to start, and a poorly made teaser could be more detrimental than helpful. In light of this, I’ll be writing a series of posts focusing on video production techniques you can use to add some polish to your book trailer.

Let’s start from the beginning:

Pre-Production

In the filmmaking world, pre-production refers to all of the planning that goes into making a film or video. DO NOT SKIP THIS STEP! It is extremely important to be at least somewhat organized and have a roadmap of what you want the finished product to look like. We’re going to take a brief look at some different aspects of pre-production, starting with the most boring and working up to the fun creative parts.

Legal
Now’s a good time to start collecting the legal forms you’ll need for your video. Since you’re going to be using this video for marketing purposes, you need to make sure you’re legally covered to use whatever you may use in the video. This means having signed actor and location releases. An actor signs an actor release to show that they’ve agreed to let you use their image in your video, and will protect you from legal action that could result if you DON’T obtain proper permission. Similarly, a location release is signed by the owner of the property and states that you have their permission to film at that location and that the location can appear in your video. If you purchase rights to music or hire an original composer you’ll also need forms for that (but if you’re going the DIY route for this video you’ll probably want to stick to royalty free music). You should be able to find all of the above-mentioned forms here: http://www.filmcontracts.net/

Equipment
Equipment will not make or break your video, but it is important to have some basic necessities. First and foremost, you’ll want a camera. These days I would have to recommend a DSLR camera such as the Canon Rebel T3i, which can shoot 1080p HD video, and with a little bit of lighting, you can make it look quite professional. You can probably find a friend with one of these to borrow from. The downside to the DSLR route is that it makes audio much harder to record, so if you have access to a prosumer or professional level video camera with professional audio inputs, use that. As for audio equipment, ideally you want to use a microphone other than the one built into your camera. In-camera mics are usually very, very poor quality. A nice shotgun microphone – a microphone with a highly directional pick-up pattern that helps you avoid recording too much extraneous sound - would be the ideal solution (you’ll also need an XLR audio cable and something to run it to – either a field recorder, or using an adapter you can run it straight to your computer). The final piece of equipment I would label a necessity is a tripod. Nothing will make your video look unprofessional quite like shaky footage. Get a cheap tripod and lock down your camera.

Casting and Wardrobe
If you’ll be using actors in your video (or voice talent), you’ll need to find people that fit your vision of the characters and then deck them out in clothing to match. Thrift stores can be a great source of cost effective wardrobe! Professional actors will most likely not want to work for free, so if you plan to use them be sure to budget for that.

Writing
This is what you do best, right? Here are some things to think about when writing out a script for your video:

·      Keep it short – people have short attention spans and you’re not a video professional, keep it short       and sweet and it’ll be better for everyone. I’d recommend 30 seconds if you’re doing it yourself.

·      Remember you’re selling something – what is it about your book that will connect with people and how can you communicate that to them?

·      Don’t mimic the book jacket, but leave them wanting more – your trailer should offer something to readers that they can’t get just from reading a synopsis. You can communicate tone, pace, character, story, etc. just remember not to give it all away. Entice your readers. I like to draw inspiration from the first few pages of a book. As an author you spend a lot of time making sure your reader will be hooked from the get go, try incorporating that hook into your video.

·      Be realistic – if you can’t afford a professionally produced video, you probably can’t afford Michael Bay style explosions. Think about what you have available to you and try to work with that.

·      This isn’t a movie trailer – you’re selling a book, not a movie. Your voice and story are far more important than flashy visuals. Voice-over reading of passages, simple titles, and appropriate music are the best tools at your disposal as an author, not a filmmaker, making a book teaser.

Drawing
This may not be your best talent, but drawing out each shot you see in your head, even if you just use stick figures, can help you see how the visual grammar of the finished piece will fit together. This is called storyboarding and you can find storyboarding templates here: http://www.printablepaper.net/preview/storyboard-letter-16to9-2x3

Scheduling
Grab a calendar and figure out when you, your actors, and your equipment are all available. This part can be tricky. Make sure to give people plenty of advanced notice and follow up with them as the day gets closer. Also give yourself more time than you think you’ll need. In video production, things will go wrong, you don’t want to run out of time to shoot and have nothing you can use.

This was a fairly simple and boiled down description of preproduction but I hope you found it useful. If you have any questions, please ask them in the comment section below and I’ll do my best to answer them. Keep an eye out for Part Two where we’ll be discussing the actual production process!

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